Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Friedrich Tischbein
Self-Portrait at the Easel

ID: 26969

Friedrich Tischbein Self-Portrait at the Easel
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Friedrich Tischbein Self-Portrait at the Easel


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Friedrich Tischbein

1750-1812   Related Paintings of Friedrich Tischbein :. | Palamedes before Agamemnon | Long Dock at Hilton Head | Old Sarum at noon | Portrait of Catherine II of Russia | Portrait of Claude-Henri Watalet sg |
Related Artists:
Agostino Brunias
Agostino Brunias (c. 1730 - April 2, 1796) was a London-based Italian painter from Rome. Strongly associated with West Indian art, he left England at the height of his career to chronicle Dominica and the neighboring islands of the West Indies. Painted in the tradition of verite ethnographique, his art was as escapist as it was romantic. Brunias was born in Rome c. 1730; the exact date is uncertain. His first name has been spelled in various ways including Abraham, Alexander, August, or Austin, while his surname has been recorded as Brunais and Brunyas. Brunias was a student at the Accademia di San Luca, Rome, where he won Third Prize in the Second Class for painting in 1754. An early oil painting of his was exhibited in Rome two years earlier.
Fanny Palmer
One of the premier artists and stone lithographers . American , 1812-1876
Robert Nanteuil
1623-78 French engraver, draughtsman and pastellist. He was the son of Lancelot Nanteuil, a wool merchant, and submitted his thesis in philosophy, for which he engraved the headpiece, at the Jesuit College of Reims, in 1645. He went on to work in the studio of Nicolas Regnesson, whose sister he married in 1646, before moving to Paris in 1647. His early work mainly consisted of portrait drawings in black lead on parchment (e.g. Paris, Louvre), and he continued to draw throughout his career. He took 155 of his 221 portraits directly from life. His drawing style was influenced by Philippe de Champaigne, and he based his engraving technique on the work of Claude Mellan and Jean Morin. By 1652 he had developed his own technique






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